Days of study on the treatment of space in the visual arts. From landscape painting to the fragmented space of cinema, from comic strips to the three-dimensional worlds of video games, the arts, media, and media configurations that host various visual cultures offer a wide range of techniques, technologies, and methods for representing spaces. For example, Alberti’s linear perspective, like the camera and the film camera, establishes links between the pictorial plane and the projection plane that differ significantly from those established in the various forms of parallel or axonometric projections used in technical drawing and architecture, or the orthographic projections used in cartography. In line with the concept of architext, introduced by Gérard Genette to designate “the set of general or transcendent categories — types of discourse, modes of enunciation, literary genres, etc. — to which each individual text belongs,” these study days provided an opportunity to develop a reflection on what might be called the “archimage,” “the set of general or transcendent categories — types of image, modes of visualisation, pictorial genres, etc. — to which each individual image belongs.”